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Performances in Pittsburgh, Sarasota, Toronto, and more coming in the fall of 2008, and another NYC run in January 2009... Stay tuned...

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Spinning On Air

Original airdate, October 14, 2007

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Corey Dargel and Kathleen Supové perform and discuss songs from Removable Parts.

(Past Performances)

Nautilus

click here to see the flyer/postcard

St. Paul and Minneapolis

Nautilus Music-Theater's Rough Cuts series presents:

songs from REMOVABLE PARTS (two concert performances):

Monday, October 15th, 2007, at 7:30PM @Nautilus Music-Theater studio (308 Prince St #250, St Paul, MN)

Tuesday, October 16th, 2007, at 7:30PM @Open Eye Figure Theater (506 East 24th Street, Minneapolis, MN)

Admission: $5. Seating is limited; for reservations, call 651-298-9913 for reservations,
or e-mail nautilusmt [at] aol [dot] com

HERE logo

New York City

PREMIERE PERFORMANCES:

Thursday-Sunday, September 6-9, 2007, and Wednesday - Saturday September 12-15, 2007, at 7PM

HERE Arts Center (145 Sixth Avenue, one block below Spring Street, New York, NY)

Tickets: $20/$15.  Ticket purchases can be made online at www.here.org, by calling 212-352-3101 or at the HERE Box Office (4 PM until curtain on show days). 

For more info, visit www.here.org

*Postshow Panels:
Sun., Sept. 9: "Developing Concert-Theater"
The show's creators discuss their collaborative process.
Wed., Sept 12: "No Disability, No Drama"
Dargel and panelists explore techniques for building a character.

*FREE Singer / Songwriter Workshop! Sat., Sept. 15, 3-5pm Those with an interest in creating music using live electronics
are invited to join Dargel for this salon-style session.
To RSVP or for more info, email workshop at here dot org.

 

The creation and premiere performances of Removable Parts were developed through HERE's Artist Residency Program, and were made possible, in part, by The New York State Music Fund, established by the NY State Attorney General at Rockefeller Philanthropy Advisors; and were underwritten by the American Composers Forum, with funds provided by the Jerome Foundation. Also made possible, in part, with funds from the Composer Assistance Program of the American Music Center, the Andrew W. Mellon Foundation, the Jerome Foundation, the NEA, NYSCA, the NYCDCA, and the Peg Santvoord Foundation.